From Jason deCaires Taylor’s underwater statues, strolling to oblivion, to Carl Chun’s detailed illustration of an octopus, a brand new ebook explores how our oceans have impressed artwork by way of the centuries


14 September 2022

TOP IMAGE - Jason deCaires Taylor, Rubicon, 2016. Picture credit: @jasondecairestaylor(page 181) Stainless steel, pH-neutral cement, basalt and aggregates,installation view, Museo Atl?ntico, Las Coloradas, Lanzarote, Atlantic Ocean

Jason deCaires Taylor, Rubicon

Jason deCaires Taylor

A WOMAN is immortalised, gazing at her cellphone, a part of an nameless crowd of sculptures by British artist Jason deCaires Taylor. However that is no atypical setting: deCaires Taylor’s pH-neutral marine cement figures (above) are 14 metres underwater off the coast of Lanzarote, Spain, and can ultimately be reclaimed by the ocean. The work’s identify, Rubicon, attracts from the thought the group, and the world, are heading in the direction of some extent of no return as temperatures rise.

The picture of Rubicon is taken from a brand new ebook, Ocean: Exploring the marine world, which particulars how our oceans have been a “image of infinity, magnificence, solitude, isolation, hazard, happiness, weightlessness and longing” in artwork by way of the centuries. That includes greater than 300 photos starting from Roman mosaics to nautical cartography, Ocean additionally highlights how local weather change has affected the seas.

NNtonio Rod (Antonio Rodr?guez Canto), Trachyphyllia, from Coral Colors,2016. Picture credit: ? NNtonio Rod (page 240) Film still, dimensionsvariable

NNtonio Rod, Trachyphyllia, from Coral Colours

NNtonio Rod

NNtonio Rod (Antonio Rodríguez Canto) took 25,000 images over the course of a 12 months to make the award-winning time-lapse movie Coral Colours (2016), from which the putting nonetheless Trachyphyllia (see above), featured within the ebook, is taken. Rod needed his movie to lift consciousness of corals as they turn out to be extra susceptible to local weather change-related bleaching.

Carl Chun, Polypus levis, from Die Cephalopoden, 1910?15. Picture credit:Image from the Biodiversity Heritage Library/Contributed by MBLWHOILibrary (page 134) Colour lithograph, 35 ? 25 cm / 13? ? 9? in. MarineBiological Laboratory, Woods Hole Oceanographic Institution Library,Massachusetts

Biodiversity Heritage Library/Contributed by MBLWHOILibrary

Ocean additionally options marine biologist Carl Chun’s beautiful illustration of an octopus (Muusoctopus, previously Polypus levis), drawn from a specimen collected close to the Kerguelen Islands within the south of the Indian Ocean through the 19th century. The illustration (above) is included in Die Cephalopoden, Chun’s seminal 1910 work on cephalopod molluscs.

Guide writer Phaidon Editions

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